substandard posted:
so put that into perspective to imagine the huge expense involved in putting on these concerts.
I overheard a roadie at the fonda mention that there were 11 tour buses for this tour. 11. That's insane. Every driver is a teamster, making teamster dough. I'm pretty positive most of the crew is union too, which means they are making quite a bit. And keys like the lighting guy (who really is amazing), sound guy make quite a bit because of their special skills (I honestly think the sound quality for these shows, specifically the echo, was the best it's ever been). I imagine he was steady losing money for shows like the bowery, echo, and fonda, probably making a little bit or just breaking even at the wiltern and palladium.
Whereas a show like the V Fest they can get paid something in the 6 figure range, and all of their crew is added onto that additionally. The festival covers the crew. So yeah, it was probably a great offset that made the tour possible.
All this being said, I think Trent is a true artist. He would still be making music if he wasn't getting paid for it. Yeah, maybe people shouldn't have snuck in, but if there was no other way to get in there, I would have. I would have even sent Trent a check the next day; why not? I've been to a lot of concerts, and felt ripped off at quite a few of them. I've never felt that Trent shortchanged the fans. Because he doesn't, we buy his cds even when we don't need to, we go to his shows, and we don't scalp tickets (except for that ireekofawesumness douche). The honesty in his music is parallel by the honest way he treats his fans. We respond to both and are more into his music then say (well, I would say) Tool, or whoever. AND, because of that, sometimes we are willing to go to any lengths to get into his final show. Remember the determination of EVERYONE on these boards to go? I'm glad we all got in. I'm sorry for those who didn't.