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Hmmm. I know I'm distinctly in the minority on this thread, but...first of all, what Trent wrote was part explanation, and part opinion. Try not to let the stars in your eyes blind you. Anyway...
The Ticketmaster/LiveNation merger should never happen. It would create a monopoly, no question, and violate antitrust laws. The political winds have shifted. The deck is stacked against the merger. Ticketmaster and LiveNation are scalpers as much as the guys in the venue parking lots. Convenience fees, inflated S/H, taxes, surcharges, and the face value often doubles. StubHub and TicketsNow are gigantic global scalping operations. Big and small, they all scratch each others' backs.
All this stuff is wrong, so I agree with Trent's position that far. But then we get to the very murky grey area of where the responsibility lies, who has the most power to control the outcome, how to get the greatest number of premium tickets into the hands of fans, and how to thwart the worst of the exploitation and greed.
It's disappointing and irksome to me that Trent is placing the burden of stopping scalpers (and apparently the responsibility for their existence) squarely on the backs of consumers (us). I disagree with his POV that by not patronizing resellers we can put them out of business. If anyone has the balance of power in their favor for getting that done, it's the artists. Just re-read this excerpt from Trent's post:
"The venue, the promoter, the ticketing agency and often the artist camp (artist, management and agent) take tickets from the pool of available seats and feed them directly to the re-seller (which from this point on will be referred to by their true name: SCALPER). I am not saying every one of the above entities all do this, nor am I saying they do it for all shows but this is a very common practice that happens more often than not. There is money to be made and they feel they should participate in it. There are a number of scams they employ to pull this off which is beyond the scope of this note."
Not really. Comps account for the majority of empty premium seats at shows and other events. The hotter the show, the more comps are doled out to people who don't give a crap about being there, and the more empty seats you'll see in the pit and orchestra sections. Ticketmaster and LiveNation release their unsold, unclaimed will-call, and returned stock the day of the show. If it's a "sold out" show, there are people waiting at the ticket windows, ready to buy whatever becomes available. Large resellers have arrangements with venues for face value refunds of their unsold stock. Most of the parking lot scalpers work for smaller reseller operations. Nobody really loses any money, at least not enough to make a dent in the bottom line.
I go to two or three live shows a year. It's my only luxury. I've been saving since the With Teeth tour to be able to get tickets for this tour. I get my ticket(s) through whatever means is most available (can't do presale this time and no one to pinch hit at the computer for me). I've bought from local resellers a few times and probably will this time, too. I wouldn't give a dime to StubHub or TicketsNow if they had the last tickets on earth, but IMO, there is a world of difference between huge global scalping operations and smalltimers like the guys I have bought from.
I'm looking forward to a creative battle plan from the creative artists, and a realistic way we concertgoers can move it along.
Edited 2 time(s). Last edit at 03/16/2009 12:58AM by darksideshmarkside.
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