jarrettwold posted:I don't think exclusivity is the road to go as far as you know exclusive merch etc... As, a lot of the complaints with the spiral was simply exclusivity.
I respectively disagree to some extent. The Spiral was a typical "fan club" set up-the only thing that irked me about it was by the time I actually became a NIN fan they weren't accepting new members anymore. As a typical fan club set up, it charged, from what I understand, a yearly fee of like $30-$50, which is something that, when you think about how much that would divide up on a per-month basis, isn't really that much ($30=$2.50 per moth, $50~$4.17 a month). Really though, I don't really like stuff where you can like "save money" by going by longer increments of time. If Trent were to set up a system where you can "choose" which increments of time you'd pay for "premium membership" in, ideally it would actually be even. So let's say you could pay yearly, monthly, or seasonly: going on the $30 a year model it would be $2.50 a month and $7.50 for every three months-no "discounts" for signing up for a longer period-just straight-up either pay it all now or pay it over time.
If it's cheap and flexible more people will want to sign on for it, things like exclusive merch would be cool-and hey if you want the shit all you have to do is as little as paying the subscription fee for a month just to buy it. Now on that note I don't think that exclusive merch should be the only "incentive"-like I just said someone could sign up for a month, get the merch, then cancel the premium membership. It'd be better if for instance their original reason was the merch-and their intention was to cancel-but then they discover all the other various and awesome benefits they can get and decide "Hey, I think I'll stay on with this thing!". That's the way to do it.
So on that note exclusive merch may be little more than an incentive to get people started-and in fact could prove to not be necessary at all. Also, I think that if it were to be done that the merch would be exclusive for a specific period of time before becoming public-much like some of the merch from the LitS tour eventually showing up in the online store. Let's say it's exclusive to premium members for three months, then goes into the public store-and new exclusive merch is hopefully rolled out to take its place (although it might be too much to expect this to be a constant cycle, at least in terms of new stuff coming out on a regular basis-but it would still be an interesting model).
I do think that access to new features that haven't been fully tested would be interesting-basically a true beta program of sorts (technically I think the whole site's still in beta for whatever reason). It would also operate much like the merch system I mentioned-available only to paying members for a time then available to everyone later-if you don't like it-try out membership for a month just to take a crack at it or wait a while and you can have it too.
Another model that could be considered would be similar to a number of video sites like Roster Teeth and That Guy With the Glasses. As a non-paying member you'll have access to streaming videos, music, etc.-but as a paying member you'll actually be able to download them to watch or listen to whenever you want on your computer or mobile devices. This obviously would be next to impossible to do with the video aggregation system and of course with any music put out while Trent was "in the system"-and since it's unlikely he'll be putting out new material for awhile, it might be reduced to like concert videos or something, or perhaps even audio from concerts.
I fact I've been wondering why he hasn't tried doing what bands like Disturbed have been attempting which is providing "official bootlegs" of their shows to the fans. Sure they're charging for it but since we're discussing models for making money well there you have it. The only issue would probably be again record-label red tape. Can Trent release and profit from live recordings of songs he originally wrote and recorded while under contract with Interscope and/or TV Records? Or would he be restricted to only releasing post-record label songs from Ghosts I-IV and The Slip?-which would be extremely limited for certain. I really wish some politicians would work out some legislation to protect the rights of artists like Trent to retain the ability to make money from their
own fucking art, regardless of whether they made it for a record label or not-like just some way of redefining the label/artist relationship and giving both parties more equal rights to the artistic creations-although perhaps this rant is best saved for a different thread-so, moving on...
Also as I mentioned before involving "intangibles" or other various types of downloadable material
can be risky given piracy and such-so features are really the best bet overall. There exclusive downloads could
still work to a degree-perhaps with some form of innovative non-intrusive DRM (if that could actually be possible), or of course just trusting your members not to pirate it (yeah, sure...)-and of course going with the model of making it exclusive for a time with the promise of releasing it for free to the general public in the near-future. Also, as I mentioned the concept of downloadable media for paying members has worked for the sites I mentioned in spite of piracy (Roster Teeth in-particular gets a good deal of that with Red Vs. Blue). And really its more about putting out stuff that people LIKE and WANT TO PAY FOR that'll lead to success.
Anyway, I've went on a bit long on this one-just bringing a few more suggestions and ideas into the fold or whatever.