God, Existentialism, and Pretty Hate Machine
 

12/06/08 1:13 AM

Okay, so I'm studying philosophy and I had a few takes (interpretations) of Terrible Lie and Down In It. I feel like fans of Nine Inch Nails would definitely have something to say about this.

Terrible Lie!

Don’t take it away from me; I need you to hold on to.

There’s nothing left for me to hide.
I lost my ignorance, security, and pride.
I’m all alone in this world you must despise.
hey God,
I believed your promises, your promises and lies.

terrible lie!


Juxtapose this with Nietzsche’s observation: God is dead.

My interpretation: Tries to convey the agony of someone wanting very much to believe, but, in the end, abandoning belief for what seems more real, for what is not a perceived lie.

Down In It:

I used to be so big and strong.
I used to know my right from wrong.
I used to never be afraid.
I used to be somebody

I used to have something inside
Now just this hole thats open wide.
I used to want it all
I used to be somebody

Ill cross my heart and hope to die but the needle's already in my eye.
And all the world's weight is on my back and I don't even know why.
And what i used to think was me is just a fading memory-
I looked him right in the eye and said goodbye.

I was up above it.
I was up above it.
Now Im down in it.


My interpretation: Losing God and throwing off world views perceived to be false. Sacrificing a false stability and knowledge for a lack of knowledge or a nothingness that is, at least, real and true. Note: Why did Socrates believe he was wise? Because while others claimed to have wisdom and knowledge about things and were wrong and didn’t know it or denied it, Socrates knew he didn’t know any thing, which was one thing more than the others knew.

I don't think I'm projecting with all this religious interpretation either. "hey God" is actually part of the lyrics in Terrible Lie. And Down In It follows right after the first in order on the album: Pretty Hate Machine. That's a bit of justification and legitimacy then.

So?



Edited 1 time(s). Last edit at 12/06/2008 01:14AM by machinations.

 

12/06/08 6:29 AM

Alot of NIN lyrics focus on Solipsism. To me, the album With Teeth is based on that theory.

 

12/06/08 3:59 PM

That's interesting. I think when you're going through pain (like the pain of drug addiction and withdraw) the universe tends to shrink down to just you. So in a way it's sort of like solipsism in that you're only concern is you when in extreme pain. This is probably why With Teeth feels solipsistic.

 

12/07/08 12:58 AM

A few corrections:

Down In It:

I used to be so big and strong.
I used to know my right from wrong.
I used to never be afraid.
I used to be somebody

I used to have something inside
Now just this hole thats open wide.
I used to want it all
I used to be somebody

Ill cross my heart and hope to die but the needle's already in my eye.
And all the world's weight is on my back and I don't even know why.
And what i used to think was me is just a fading memory-
I looked him right in the eye and said goodbye.

I was up above it.
I was up above it.
Now Im down in it.



**My interpretation of Down In It: Losing God and throwing off world views perceived to be false. Sacrificing a false stability and knowledge for a lack of knowledge or a nothingness that is, at least, real and true: "I used to have something inside
Now just this hole thats open wide." Note: Why did Socrates believe he was wise? Because while others claimed to have wisdom and knowledge about things but were really in ignorance or denial, Socrates knew (and admitted) that he didn’t know anything / a thing, which, paradoxically, was one thing more than others knew.

 

12/08/08 1:27 AM

Well Trent was raised to believe in the God and naturally he kind of rebelled and his belief system was shook up. Also plans don't always go the way you want to go.

I used to be so big and strong.
I used to know my right from wrong.
I used to never be afraid.
I used to be somebody


Consider these lines from a college drop out who used to excel at school.

 

12/08/08 3:23 AM

Theday01 posted:
Well Trent was raised to believe in the God and naturally he kind of rebelled and his belief system was shook up. Also plans don't always go the way you want to go.

I used to be so big and strong.
I used to know my right from wrong.
I used to never be afraid.
I used to be somebody


Consider these lines from a college drop out who used to excel at school.

Right, I guess disappointment with the way you turned out is a pretty common, if not universal, experience.

 

01/05/09 8:01 AM

CLeek posted:
Alot of NIN lyrics focus on Solipsism. To me, the album With Teeth is based on that theory.

Yes, that's a lot of what I got out of With Teeth, too. I used to have a very bad problem with solipsism, as part of my mental health issues, I guess. I never even knew there was a word for this mind-set(solipsism) until fairly recently. I have literally felt at times that I am the only person who exists, and other people and the world are just part of my imagination. It is a very scary place to be, mentally.



Edited 1 time(s). Last edit at 01/05/2009 07:02AM by lucreziag.

 

01/07/09 8:25 AM

it bothers me that people take Nietzche's quote so far out of context. I'm not sure if you've read the whole passage, which for me, doesn't resonate at ALL with NIN lyrics at all. I agree about the solipsism comment though, I get that impression STRONGLY from Trent's work and although I am theistic, I associate with the lyrics because I am very aware that my perception of the world is skewed from what's actually out there, so most of the 'existence' that I understand is my own mind creating and trying to present relevant information in a meaningful way. Here's the entire section from Nietzche:

Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the market-place, and cried incessantly: "I am looking for God! I am looking for God!"
As many of those who did not believe in God were standing together there, he excited considerable laughter. Have you lost him, then? said one. Did he lose his way like a child? said another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? or emigrated? Thus they shouted and laughed. The madman sprang into their midst and pierced them with his glances.

"Where has God gone?" he cried. "I shall tell you. We have killed him - you and I. We are his murderers. But how have we done this? How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What did we do when we unchained the earth from its sun? Whither is it moving now? Whither are we moving now? Away from all suns? Are we not perpetually falling? Backward, sideward, forward, in all directions? Is there any up or down left? Are we not straying as through an infinite nothing? Do we not feel the breath of empty space? Has it not become colder? Is it not more and more night coming on all the time? Must not lanterns be lit in the morning? Do we not hear anything yet of the noise of the gravediggers who are burying God? Do we not smell anything yet of God's decomposition? Gods too decompose. God is dead. God remains dead. And we have killed him. How shall we, murderers of all murderers, console ourselves? That which was the holiest and mightiest of all that the world has yet possessed has bled to death under our knives. Who will wipe this blood off us? With what water could we purify ourselves? What festivals of atonement, what sacred games shall we need to invent? Is not the greatness of this deed too great for us? Must we not ourselves become gods simply to be worthy of it? There has never been a greater deed; and whosoever shall be born after us - for the sake of this deed he shall be part of a higher history than all history hitherto."

Here the madman fell silent and again regarded his listeners; and they too were silent and stared at him in astonishment. At last he threw his lantern to the ground, and it broke and went out. "I have come too early," he said then; "my time has not come yet. The tremendous event is still on its way, still travelling - it has not yet reached the ears of men. Lightning and thunder require time, the light of the stars requires time, deeds require time even after they are done, before they can be seen and heard. This deed is still more distant from them than the distant stars - and yet they have done it themselves."

It has been further related that on that same day the madman entered divers churches and there sang a requiem. Led out and quietened, he is said to have retorted each time: "what are these churches now if they are not the tombs and sepulchres of God?"

 

12/20/10 5:08 PM

innovati posted:
...because I am very aware that my perception of the world is skewed from what's actually out there, so most of the 'existence' that I understand is my own mind creating and trying to present relevant information in a meaningful way.

I'm going to expound.
Can I paraphrase you?
posted:
"most of the existence that you understand is your own mind creating and trying to present relevant information, [mostly that which surrounds you, the people you speak to on a daily basis, the things you do day-to-day] because those smaller things make up the big picture, and impact it more than anything, and is going to impose many thoughts and ideas, in [an incredibly] meaningful way."


At least, that's why I think you guys are solipsistic, or maybe just embracing the idea rather than accepting it? I don't particularly believe in solipsism much, I mean, I understand what it's saying and I can understand that its hard to understand that nobody can explain what an individual sees as compared to another... but it isn't hard to prove. I mean, just look at the medical field. Surgeries are all typically the same, so whose to say that if I touch your arm that it doesn't feel exactly the same (my mind percieving the feeling the same as yours) and vice versa..

Here's my food for thought.
I believe in oneness and I think that living creatures co-exist and influence each other HEAVILY. I mean, that's what I think Evolution is all about. Creatures change and adapt according to their habitat and neighbors (sorry, not trying to deepen this hole..)
In short, I believe that we are most definitely solipsistic as far as ONE MIND goes, each individual will have their own opinion on what something looks like or how something feels. An easy example of this: how can one say green is green if another thinks they're seeing it as blue? If it isn't for other people's opinions, how would a colorblind person determine, or ever make a decision for that matter, on what color he/she is really seeing? You could take this to the extreme, but I'm just saying you can't have solipsism without embracing the idea of an opposition, such as a unified collective, whether it be a habitat, or humans in general. Like light and dark... whether you believe in it or not, I feel like there is a natural balance in all things in our world.... though, this isn't really a fact.

Getting off topic.. but to bring my babel back to NIN, I think this is very relevant with some of Trent's masterpieces, and to give an easy example I will use With_Teeth, particularly Every Day Is Exactly The Same.

Every day is exactly the same
There is no love here and there is no pain


Without love, how could you feel pain? I mean, if you completely take away the factor of that 'feeling' of love, the purest most practical sense of the word, how could you feel pain without knowing what it felt like to not feel pain? Same goes the opposite. How could you know what love REALLY feels like without the pain of something else...

I like that idea. Also, in The Line Begins To Blur, that sense of solipsism is definitely present once again, but I don't look at it as my mind or my person is finite, or that I am insignificant. I think, more or less, that it's the juxtaposition of these things. So, if the 'line begins to blur' isn't that because the person viewing this sensation is only in confusion simply because there are two sides? winking smiley

I've overtalked here..

 

12/20/10 5:51 PM

machinations posted:
My interpretation (of Terrible Lie): Tries to convey the agony of someone wanting very much to believe, but, in the end, abandoning belief for what seems more real, for what is not a perceived lie.

you really didn't do anything with the text here but summarize it. i get that it was a starting point for your analysis of "Down in It," but you could've done that by mentioning the obvious interpretation of "Terrible Lie" without presenting it as if you're relating a unique viewpoint of TL. i'd never considered DII to be a religious song, so i consider your viewpoint on it unique; your words about TL aren't, and can't be to anyone who's bothered to read the words. it would have done a lot more for your topic if you just analyzed DII and mentioned how TL backs it up.

it's also a bit problematic to say that DII is informed by the religious subject matter of the song before it on the record. we know they were written at different times and that DII was written first, and we also know that any record borne of a collection of different songs (i.e. not a concept album with one long piece written in order) is sequenced after the fact for a variety of reasons that don't often have a lot to do with lyrical content. looking at PHM itself, God also gets mentioned after DII in contexts that infer that it/He/She exists (i.e. "covering up his eyes" in Kinda I Want To). so if TL is informed by the "God is dead" phrase alone, DII follows out the logical consequences of it, and then God is suddenly alive to cover up his eyes later in the album, you've got serious consistency issues.

either way, juxtaposing with Nietzsche's entire "God is dead" passage posted by innovati gives considerably differing results than juxtaposing with the statement "God is dead" alone: the former infers that no one has realized God existed and was killed off by people, while the latter simply says God was once there but has gone away forever. the blame for the act isn't considered in the lyrics at all.

edit: dumb emoticons



Edited 1 time(s). Last edit at 12/20/2010 05:53PM by seasonsinthesky.

 

12/20/10 7:11 PM

I thought "Terrible Lie" was about some woman and DII was about mental illness and/or addiction.

 

12/21/10 8:33 AM

Down In It has minor overtones of the religious but it comes from Trent's "I'm writing lyrics about being fucked up on drugs and shitty relationships," period. It's more about chicks than it is men in the sky.

She said--

 

12/27/10 11:31 AM

Folks, you've lost the meaning of the art in all this opinionated hullabaloo.

You all strive so hard to have your voice be heard that you've lost your point in posting to begin with...your feelings on the art and WHY it's important to YOU.

I see most artists, even those like Trent, in an "objective" light, although I use the term loosely. The artist has created the art because of the feelings they had at the time; they reflect the music and lyrics, the oil painting, the charcoal, etc.; in fact, this is what "bridges the gap" for us to empathise with the artist to begin with. We, as listeners/viewers, have to be able to percieve their beliefs and ideals from only ONE facet of their creativity - which, in the grand scope, is such a minute representation of who they are as a whole - or the art falls short of our understanding.

I feel, in my opinion, that looking at art objectively is a far better way to understand the symbolism and importance of the piece that the artist was initially trying to convey. I say, if Trent wanted to convey ANYTHING within his music, it is that we ALL feel a similar "wave" of depression, angst, doubt, instability, hopelessness and doom resonating throughout our existence, whether it is on an individual basis and/or universal level. Hence, his art is merely a release of this oppressing and all-encompassing feeling of malaise we experience as human beings; an escape, if you will, from his suffering. That is truly why I can appreciate his position; because I have experienced similar conditions within my scope of existence, and/or used similar methods to deal with said conditions.

With all due respect, we are ALL entitled to our own opinions. Opinions are the one thing that can never be spun, twisted, folded or broken, unless it is our prerogative to do so. With that being said, we CANNOT use our opinions, or others, for that matter, as the basis in searching for truth. Truth is fact, cold and concrete. Opinion is rooted in emotion and bias, and will always lead you back within the annals of intrinsic motivation and personal agendas.

Since some of you search for truth within a medium that is purely emotionally based, you've recieved nothing in return. Not too suprising, if you ask me. If you're looking for deeper meaning within art, you must view the medium objectively, so that you may analyse it subjectively. In other words -

Look to the source. Then look inside yourself.



Edited 2 time(s). Last edit at 12/27/2010 11:40AM by wjc3.

 

12/29/10 10:20 AM

wjc3 posted:
You all strive so hard to have your voice be heard that you've lost your point in posting to begin with...your feelings on the art and WHY it's important to YOU.

<snip>

Look to the source. Then look inside yourself.

Bullfuckingshit. Author intent is law.

 

12/29/10 12:43 PM

OnslaughtSix posted:
wjc3 posted:
You all strive so hard to have your voice be heard that you've lost your point in posting to begin with...your feelings on the art and WHY it's important to YOU.

<snip>

Look to the source. Then look inside yourself.

Bullfuckingshit. Author intent is law.
Indeed. Case in point, "Who Wants To Live Forever" by Queen. The number of people who have claimed that this is about Freddie dying is ridiculous. But it's not, and no matter how many times you will it to mean that, it never will.

 

01/01/11 5:57 PM

^
Haha!

OnslaughtSix posted:
wjc3 posted:
You all strive so hard to have your voice be heard that you've lost your point in posting to begin with...your feelings on the art and WHY it's important to YOU.

<snip>

Look to the source. Then look inside yourself.

Bullfuckingshit. Author intent is law.
grinning smiley Gold star awarded.



Edited 1 time(s). Last edit at 01/01/2011 05:59PM by ChaseNine.

 

01/01/11 7:52 PM

The funny thing about Terrible Lie is that religious people are taught to believe that God is supposed to help them with life, and then when things start going wrong, they try to blame God for their own problems, hence the line "why are you doing this to me?" I think this song just conveys figuring out that it's all bullshit and relying on some 'skymonster' to help you is a complete waste of time and energy.

Yeah, Down In It has always sounded like the descent into despair about life and love...

 

01/02/11 11:46 AM

Then why does Down in it sound so cheerful? I think because he realized his independence from god, the song's about freedom.

 

01/04/11 1:47 PM

Sheepdean posted:
OnslaughtSix posted:
wjc3 posted:
You all strive so hard to have your voice be heard that you've lost your point in posting to begin with...your feelings on the art and WHY it's important to YOU.

<snip>

Look to the source. Then look inside yourself.

Bullfuckingshit. Author intent is law.
Indeed. Case in point, "Who Wants To Live Forever" by Queen. The number of people who have claimed that this is about Freddie dying is ridiculous. But it's not, and no matter how many times you will it to mean that, it never will.

Not to mention the part where, you know, it was for the Highlander soundtrack. A movie about people who are immortal. Seriously. Sometimes things just are.

 

01/04/11 2:04 PM

OnslaughtSix posted:
Sheepdean posted:
OnslaughtSix posted:
wjc3 posted:
You all strive so hard to have your voice be heard that you've lost your point in posting to begin with...your feelings on the art and WHY it's important to YOU.

<snip>

Look to the source. Then look inside yourself.

Bullfuckingshit. Author intent is law.
Indeed. Case in point, "Who Wants To Live Forever" by Queen. The number of people who have claimed that this is about Freddie dying is ridiculous. But it's not, and no matter how many times you will it to mean that, it never will.

Not to mention the part where, you know, it was for the Highlander soundtrack. A movie about people who are immortal. Seriously. Sometimes things just are.
Well, it was also about Brian's dad, and "death in general" like half of Queen's stuff. But some people can't accept that the other 3 members wrote just as many songs and were just as talented.

Anyway, offtopic

 

01/28/12 11:55 AM

Why do song lyrics always have to be broken down into grandiose philosophical themes? I love philosophy but to be quite honest, I find philosophy to be much more complex than any song lyrics I ever hear, whether from my favorite bands or not.

There may be similarities, but too often lyrics are way too minimalistic when held upon against philosophical concepts. That being said if it stimulates you thinking about the connections that's totally all fine and good, but I think it does some injustice to the complex meanings behind very detailed philosophical notions.

 

01/29/12 10:21 AM

earthbound posted:
Why do song lyrics always have to be broken down into grandiose philosophical themes? I love philosophy but to be quite honest, I find philosophy to be much more complex than any song lyrics I ever hear, whether from my favorite bands or not.

There may be similarities, but too often lyrics are way too minimalistic when held upon against philosophical concepts. That being said if it stimulates you thinking about the connections that's totally all fine and good, but I think it does some injustice to the complex meanings behind very detailed philosophical notions.
Agreed. The premise of PHM is simple to me. Some bitch tore his heart out of his chest, his faith let him down, he got hooked on drugs,life sucks, and he hates himself. What's complex about that? It's simple. That doesn't mean that it is not touching. Why does everything have to be complicated to be touching?



Edited 1 time(s). Last edit at 01/29/2012 10:22AM by jhendrie86.

 
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