Mike_Osadciw posted:I think the point that was trying to be made is that listening to 24-bit on a portable device through earphones or even a docking station on a home stereo will not sound as good as a well designed CD player playing back 16-bit CD content through the player's own 24-bit DACS.
That is part of it, and hopefully the player will have 16/44.1 DAC's (there is one player out there that's $10k plus that actually upsamples CD-DA to DSD and is supposed to be wonderful from what I've read, but $400 is about my ceiling for a CD dedicated player...although that other one may play SACD as well), but the other point I was trying to make is that 24-bit guarantees nothing at all, mastering is the key. A wonderfully produced album can sound like shit after it's been mastered.
Give me a well mastered 320 Kbps .mp3 over a 24-bit/96kHz file that's clipped and had aggressive dynamic range compression, brickwalling, limiting, etc., applied.
Of course I'll take well mastered 24/192 5.1 or 24/96 7.1 Blu-ray any day of the week.
Digital downloads for high resolution are just not at the point where they're feasible yet, and they remove all the options Blu-ray adds to the mix.
For PHM for example:
Pretty Hate Machine: Deluxe Edition [Blu-ray]
*entire album in 24/192 5.1 remastered from the original master tapes
*entire album in 24/192 stereo remastered from the original master tapes
*all music videos remastered to high definition (where source material allows) with new 24-bit audio
*live performance footage from 1990~1991 remastered
*archived interview footage
*new interviews about the remastering process and making the Deluxe Edition
*all b-sides remastered from the original master tapes to 24/192 stereo
*CD "digital copy" included with no drm
*voucher to download 24/96 .flac files of the stereo tracks
*MSRP $29.99 (Amazon pre-order price $24.99)
This shits all over anything digital downloads can do.