posted:For PHM for example:
Pretty Hate Machine: Deluxe Edition [Blu-ray]
*entire album in 24/192 5.1 remastered from the original master tapes
*entire album in 24/192 stereo remastered from the original master tapes
*all music videos remastered to high definition (where source material allows) with new 24-bit audio
*live performance footage from 1990~1991 remastered
*archived interview footage
*new interviews about the remastering process and making the Deluxe Edition
*all b-sides remastered from the original master tapes to 24/192 stereo
*CD "digital copy" included with no drm
*voucher to download 24/96 .flac files of the stereo tracks
*MSRP $29.99 (Amazon pre-order price $24.99)
This shits all over anything digital downloads can do.
If this was on a Blu-ray disc, I really would hope the high-rez editions are not maxed out with compression...and my assumption is that they wouldn't be. Like the great recordings out there from the hi-fi labels - let's hear some real dynamic range!
For the few of you out there who turn a blind eye at the Blu-ray because you don't understand it - take some time to understand it. It's not just a movie format. It's a high resolution music format that's poised to replace the CD.
If Blu-ray doesn't fit into your entertainment system/listening preferences - that's fine...no reason to bash it. Just know though, it's Trent who is providing the Blu-ray for us fans. He CLEARLY CARES about the high quality presentation of his music and without a doubt he'd tell you to give a listen to the Blu-ray disc at least just once. It's him that's giving us fans the ability to choose between the various formats and I highly respect him for that. I honestly think he's a hi-fi guy when it comes to his music. Not only has he been quick to support high resolution audio and video platforms for his content, but I also recall his not so pleasant comments back in 2005 when "The Hand that Feeds" was leaked out on MP3s before it was released...not necessarily because of the leak itself, but because he wasn't happy that the fans' first experience was through a digital download listened through computer speakers. He was basically saying 'Is this how you really want to enjoy my art?'
Paint over the Picasso.
But Trent's been smart to embrace the downloading of "clean" music files. He's catered to the crowd that listens to "music on the go" in the form of downloads. That, for many people, is the only way they listen to music.
He has also embraced the high-rez formats, giving the absolute best for his fans who listen to music in the more "traditional" way: sitting in a chair between two speakers and listening to a NIN "performance" in their own living room.
posted:Yeah I'd rather not spend $200 on yet another machine that plays movies. I already have one of those; it's called my computer.
Plus "Blu-Ray" still looks stupid to me.
And besiding that, it'll obviously all fit onto a DVD set if they wanted to. Just look at AVOTT.
You must realize that most people don't watch movies on the computer. That is a small fraction of the population. Not only is the screen small (32" and under), the sound quality poor, but it's uncomfortable as hell. Sitting at a desk is not my idea of a comfortable movie experience. So much goes into the creation of films in post production...stylizing the image quality to create moods for storytelling is lost on small and uncalibrated monitors...and video cards commonly clip video images. All the work gone into sound design to create suspense...gone.
The principle for video Blu-ray is the same for BD-Audio. Bring a high-quality entertainment experience to the home for those who want it. There has been no home video format to deliver video quality close to studio masters in our home. We still have some progress to do on that front, but it's a good stepping stone to get there.
AVOTT is not my idea of a high quality Blu-ray set. It's AWESOME what the fans did, but it absolutely pales in comparison to a properly produced set. I'm sure that those who put their time into it did the best they could, but the video quality is relatively poor for HD (raised black levels, desaturated colour, lots of artefacts/compression). On a 50" screen and up, it doesn't look so pretty. On an 8-foot screen...it's a bit of a mess. Same with the audio. It's not very dynamic. Bass isn't that pronounced. There is no dedicated LFE with any ooomph (if running all channels without bass management). The difference with this versus something I buy in a store is that I know it's not going be be close to perfect before even putting the disc in. I watch it purely for the entertainment and joy of being able to see this concert at home.
So I'm not disappointed at all. Now, if I had purchased this disc at a store and it was created and sold by Trent & Co., then I'd be raising a lot of hell because my expectations are higher. And there ARE Blu-ray discs out there that have disappointing video quality (David Gilmour live rings a bell of disappointment). Sloppy care going into the work or just bad source? Not sure...
My point is we definitely need the "middle man" to create good content. We do need some middle man to sell it - even if it's Trent himself giving the final approval.
posted:I'd rather see all of that stuff released online anyway. (And it'd just get pirated anyway, so I can watch it on my computer. Which I would do in the first place anyway!
So you'd pirate Trent's work? If I were Trent, I'd consider that a slap in the face from a so-called fan. He puts his hard work into creating the Deluxe Edition of Pretty Hate Machine and releases for sale. I guess artists should work for free. The liner notes in the new edition should say "Thank You to all of the fans who support me, and Fuck You to all who pirate me."
Edited 4 time(s). Last edit at 11/07/2010 10:34AM by Mike_Osadciw.